STUPID KID: An Unwelcome Homecoming
A Theater Review by Julinda D. Lewis
At: The Firehouse Theatre, 1609 W. Broad Street, RVA 23220
Performances: January 23 – February 16, 2020
Ticket Prices: $35 General Admission; $25 Military & RVATA; $15 Students
Info: (804) 355-2001 or firehousetheatre.org
I often choose not to learn too much about a new play prior to seeing it. I want to enter the space unbiased; I like to be surprised. Well, no amount of preparation would have fully prepared me for Sharr White’s Stupid Kid. The two-act play, making it’s east coast debut at The Firehouse Theatre, is populated with strong characters, filled with twists and turns, and offers a surprise ending that leaves as many questions unanswered as it resolves. Kudos to the cast and director Alison Devereaux for a physically demanding performance that made us laugh, gasp, cheer, and even boo.
From the start we know something isn’t quite right – there are secrets and things are not what they appear to be. When Chick Ford (Adam Valentine) arrives home a day early after being in prison for 14 years, his parents are not pleased. His father Eddie, played by Andrew Firda, pretends not to know him and his mother Jeanette or Gigi (Boomie Pedersen) greets him with an expletive. Well, most of her comments are bookended by expletives, so it may not be entirely personal.
The plot thickens when we learn that Chick was sentenced to life for murder, that his parents lives were shattered by the fallout, and his father has become disabled with back pain and has become dependent on painkillers. The details come slowly with the aid and sometimes despite the active interference of nosy neighbor Franny Hawker (Jeannie Goodyear) and Gigi’s brother Mike (Arik Cullen).
This may be the world’s most dysfunctional family, but White’s characters are mostly familiar, believable, and multi-dimensional. Eddie and Gigi seem to be constantly bickering but scattered among the expletives are pet names and hints of true concern and genuine love. Whenever Chick tries to talk about the crime he confessed to, he gets shut down, and no one believes there is any possibility he could be innocent – despite the fact he was released based on new DNA evidence. Uncle Mike is the story’s obvious villain. Vain, narcissistic, and sadistic, he was once the sheriff of the small unnamed Colorado town where the story takes place – and rather than trying to hide evidence of his prior and current corruption, he rubs everyone’s nose in it. I can’t say much more without giving away important and juicy plot elements.
So many of the cast members stand out. Both Boomie Pederson and Andrew Firda seem to land strong, often quirky, and interesting roles. Pedersen gives a satisfying and delightful performance in Stupid Kid, projecting sarcasm when needed but switching to a well-hidden tenderness that makes Gigi seem more authentic. Andrew Firda spends much of the play in a bathrobe and socks, bent over with back pain, yet still manages to display the strength and humanity of Eddie; Eddie has real problems, but there is something solid and dependable underneath it all. Firda never allows Eddie to become a figure of pity.
Adam Valentine portrays Chick as a young man whose life has been controlled by others – his parents, the prison system, his Uncle Mike – but has somehow managed to hold onto a sense of self. And then there’s Arik Cullen, who played Uncle Mike as a straight up bad guy with no redeeming qualities whatsoever. Some in the audience booed when he came out for his bow. Let’s not forget about Uncle Mike’s young ward, Hazel, played by Lorin Hope Turner.
A casebook study of child abuse, sex trafficking, domestic abuse, and more, Hazel’s mistreatment at the hands of Uncle Mike culminates in a shocking display featuring the show’s most violent and physically challenging scene. Jeannie Goodyear, as the nosy neighbor Franny watched all this, often with a bag of chips or some other snack at hand, as if it was a soap opera. Goodyear added a sense of the absurd and was a perfect counterpoint to the melodrama unfolding around her, even reporting the latest news concerning the town’s outrage over Chick’s early release.
There’s so much going on in Stupid Kid, but one thing is for sure; these people may lack what we think of as formal education, but they are certainly not stupid. There is much worthy of discussion, making this an appropriate choice as an Acts of Faith offering.
Alan Williamson designed an appropriately drab set that reflects the financial and emotional status of the Ford family. There is a large patch of duct tape on the living room chair and an impressive complete set change during intermission, from interior to exterior. If anything, the outside of the house looks a little less shabby than the inside. Emily Laurelle Tappan designed the costumes to look like discount sticker day specials from the local thrift store.
Julinda D. Lewis is a dancer, teacher, and writer who was born in Brooklyn, NY and now lives in Eastern Henrico County.
Photo Credits: Bill Sigafoos