MISS GULCH RETURNS!: When Fiction Becomes Reality

MISS GULCH RETURNS!: The Bitch is Back!

A Theater Review by Julinda D. Lewis

Richmond Triangle Players

At: The Robert B Moss Theatre, 1300 Altamont Avenue, RVA 23230

Performances: May 15-25, 2019.

Ticket Prices: $10-35

Info: (804) 346-8113 or rtriangle.org

Ding, dong, the bitch is back!

Some shows teach lessons, some force the audience to adjust their perspective, some raise questions, and others tug at your heartstrings. Fred Barton’s one-man show, Miss Gulch Returns!, does not require anything of its audience but that you sit back and enjoy it – preferably with a drink at hand. Performed by Robert Throckmorton, who is revising the role he first performed more than a decade ago, to great acclaim Miss Gulch Returns! is a musical parody, based on the character of Almira Gulch, the bicycle riding neighbor of Aunt Em, Uncle Henry, and Dorothy in the 1939 film version of The Wizard of Oz.

In the film, Gulch threatens to have Dorothy’s dog, Toto, put to sleep, claiming he has bitten her. Aunt Em is not intimidated, and tells Miss Gulch, “Almira Gulch, just because you own half the county doesn’t mean you have the power to run the rest of us.” Later, Dorothy sees Miss Gulch transform into the Wicked Witch of the West, and her bicycle transform into a flying broom.  Barton has woven many Oz-related references into Miss Gulch Returns!

What makes this even funnier is that Barton’s Miss Gulch is a spin-off of a fictional character who is the “real-life” embodiment of a fictious character!

Throckmorton first appears onstage in dark pants and a jacket – with a piano on one side and a bar on the other, it looks and sounds as if we are about to experience a traditional cabaret. The Robert B. Moss Theatre has been slightly rearranged; where there are usually a few tables at the rear, tables have been added to alternate rows, starting with the very front row – where I sat. And there is an extra table set up at the foot of the stage with a candle, a drink, and a basket with Miss Gulch’s hat on top.

After just brief introduction and a couple of songs, Throckmorton approaches this little table and engages in a seductive conversation with an invisible Miss Gulch before suddenly ripping off his tear-away clothing to reveal Miss Gulch’s spinsterly gray dress and the show is off and running at breakneck speed with nonstop laughs fueled by double and triple (if that’s possible) entendre.

Barton’s Miss Gulch assumes that the Wizard of Oz Miss Gulch has a life as an actress and cabaret singer after the film and follows her life in songs, some half spoken and some sung full out with Throckmorton’s subtle but delightfully strong voice. These include self-descriptive and advice-filled torch songs, including “I’m a Bitch” and “Pour Me a Man” in the first act and “I’m Your Bitch” and “I Poured Me a Man” in the second act. My favorite one-liner, bar none, was venomously delivered near the top of the second act, when Miss Gulch was bemoaning being the recipient of all her married and partnered friends’ complaints: “Defecate or de-commode!”

The music and lyrics are by Barton as well as the book, Joshua N. Wortham, the musical director, accompanies Throckmorton on piano, and occasionally acts as Miss Gulch’s straight man or handler. Miss Gulch Returns! is staged by Throckmorton and Steve Perigard, with moody lighting by Amy Ariel (who has a lengthy resume of lighting designs and just finished her third year as a lighting design and engineering student at VCU) and the scenic and sound design is by RTP associate producing director Lucian Restivo. The set, on three levels, had a sort of timeless feel of unspecified era, and there was a lovely slide show of iconic movie stars (e.g., Audrey Hepburn, Marilyn Monroe, Cher, and Lena Horne, to name a few) that heightened the vintage visual element.

I never saw Throckmorton’s earlier portrayal of Miss Gulch, but there were many in the audience who did. At least one came specifically because she had heard that Throckmorton was recreating the role and she had retained fond memories of it for more than a decade. Ready or not, perhaps it’s time for a new generation to meet Miss Gulch as she continues to hilariously blur the line between reality and fiction.

Julinda D. Lewis is a dancer, teacher, and writer who was born in Brooklyn, NY and now lives in Eastern Henrico County.

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Photo Credits: as noted

MissGulch_468
Robert Throckmorton as Almira Gulch (Dorothy’s nemesis from “The Wizard of Oz”) in the musical comedy “Miss Gulch Returns!”, playing at Richmond Triangle Players’ Robert B. Moss Theatre through May 25. Photo by John MacLellan
MissGulch_289
Robert Throckmorton as Almira Gulch (Dorothy’s nemesis from “The Wizard of Oz”) in the musical comedy “Miss Gulch Returns!”, playing at Richmond Triangle Players’ Robert B. Moss Theatre through May 25. Photo by John MacLellan.

Miss Gulch 1

Miss Gulch 2
Photo by Joshua N. Wortham

 

 

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WHO’S HOLIDAY: A Christmas Parody for Adults Only

Who’s Holiday!: The Story Dr. Seuss Didn’t Want You to See

A Theater Review by Julinda D. Lewis

Richmond Triangle Players

At: The Robert B Moss Theatre, 1300 Altamont Avenue, RVA 23230

Performances: November 14 – December 15, 2018

Ticket Prices: $10-35

Info: (804) 346-8113 or rtriangle.org

 

Who’s Holiday! is an irreverent, adult Christmas story. This one-woman show told by a grown-up Cindy Lou Who takes the audience on a rip-roaring sleigh ride that provides eye-opening details about Cindy Lou Who and her pal the Grinch.

Cindy Lou has outgrown her cute pink pajamas in favor of a bright red shirtwaist dress with multicolored trim which is turn gives way to a green corset with a sparkly red skirt. Both are worn with glittery gold stilettos and a curly blond wig. Thank Ruth Hedberg for the festively tacky costume design.

Cindy Lou has only recently returned home after a rather long stint away. She now lives in a trailer left to her by her late uncle, and it’s parked on Mount Crumpit, apparently not far from the Grinch’s old lair. The sparsely furnished interior feature lots of green accents – and there’s a reason for the Wicked poster on the wall – but T. Ross Aitken’s design seemed surprisingly spacious for a trailer.

And where, exactly is the old green Grinch, and how has he fared over these past years? Well, to tell you that would give away most of the plot. It’s not for nothing that this play is subtitled “The Story Dr. Seuss Didn’t Want You to See!” Apparently, in 2016, Dr. Seuss Enterprises took playwright Matthew Lombardo to court for copyright violation, but Lombardo successfully countersued claiming parody is protected under “fair use” laws and the play opened off-Broadway in 2017.

Kids would not recognize this Cindy Lou Who, played by the talented and versatile Kimberly Jones Clark, most recently seen as Margery in Hand to God co-produced by TheatreLAB and 5th Wall Theatre. I’m not trying to say Clark is making a habit of playing dysfunctional middle-aged women, but lately she has done it extremely well. Middle-aged Cindy Lou starts off greeting the audience, including a shout-out to “the queer in the rear.” She tests the waters of offensiveness with gays and lesbians, as well as Jews, and at one point asks if the word “ghetto” is offensive, but quickly dismisses that suggestion with a flippant, “it gets worse.”

Cindy Lou scrounges a Tramadol from the floor and washes it down with liquor. She takes a hit from a bong and describes some parts of the Grinch that most of us never thought of – and hope never to see – in great detail. Who’s Christmas! is hilarious and also quite dark (and I’m not sure if this is the intent of author Matthew Lombardo, director Dexter Ramey, star Kimberly Jones Clark, or a combination of the three): it deals with drugs, alcohol, domestic violence, bestiality, animal cruelty, murder, and prison culture. Along the way, Jones grabs a handheld microphone and throws in a totally unexpected rap, a deadpan execution of “Merry Little Christmas,” which invited audience participation, and – my personal favorite – a rather skillful rendition of “Blue Christmas.”

There are laughs aplenty; the audience seemed well-pleased, and Clark did an excellent job holding down this zany one-woman show. It just wasn’t my cup of tea – I laughed, I enjoyed it, but it isn’t my favorite adult Christmas show. Maybe I was hoping it would be more like Christmas on the Rocks whose grown up Ralphie, Cindy Lou Who, Charlie Brown, and other characters simultaneously tore and warmed my heartstrings.

Who’s Holiday! runs just about an hour, with no intermission, and is followed by a holiday cabaret with Joshua Worsham on piano and Georgia Roger Farmer and/or Shannon Gibson Brown. I didn’t stay for the cabaret, but it seems like a great deal – an unexpected after party!

Julinda D. Lewis is a dancer, teacher, and writer who was born in Brooklyn, NY and now lives in Eastern Henrico County.

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Photo Credits: Photos from RTP Facebook page

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