HOLMES AND WATSON: It’s Not What You Think

HOLMES AND WATSON: To Tell the Truth

A Theater Review by Julinda D. Lewis

At: Swift Creek Mill Theatre, 17401 Jefferson Davis Highway, Colonial Heights, VA 23834

Performances: September 14 – October 12, 2019

Ticket Prices: $40 Theater only; $58.95 Dinner & Theater; $10-$20 rush tickets available depending on availability

Info: (804) 748-5203 or swiftcreekmill.com

They got me. They got me good!

Jeffrey Hatcher’s Holmes and Watson is not your traditional Sir Arthur Conan Doyle Sherlock Holmes mystery. Published in 2018, this fast-paced one-act mystery takes place after the death of Sherlock Holmes at Reichenbach Falls. Mysteriously, the bodies of Holmes and his arch nemesis Moriarty were never found. So. . .

On a remote island off the coast of Scotland in 1894, Dr. Watson is summoned to identify which of three mysterious men all claiming to be Sherlock Holmes is the real sleuth. And that, my friends, is about all I can tell you without giving away the plot and spoiling the fun. This is, after all, a mystery, and it is chock full of clues and red herrings, misdirection and rabbit holes. Fakes, frauds, telegrams, and mad men, oh my!

Running under 90 minutes, and performed without intermission, returning guest director John Moon keeps the pace fast with a tight-knit ensemble and there is nearly as much laughter as mystery. Joe Pabst is Watson, Richard Koch plays Dr. Evans, and there are three Holmes characters. Daniel Moore is Holmes #1, a somewhat menacing figure with a tendency to violent outbursts. Axel Burtness is Holmes #2, who wears a crazed look to match his straight jacket. And Jonathan Hardison is Holmes #3, who is deaf and mute. The cast is rounded out by Irene Kuykendall as the Matron and Travis Williams as the Orderly. But no one and nothing is what it appears to be.

There were some scenes where I questioned the behavior of an actor, but the final scene revealed all and explained what might otherwise appear to be lapses or omissions. Ahh, hindsight.

Joe Doran’s lighting adds depth and drama to Tom Width’s relatively simple and minimalist set – a former fortress turned lighthouse turned asylum, it is appropriately dark and shadowy. Maura Lynch Cravey’s costumes add a bit of color and visual appeal, and there are several gun shots and loud noises.

Holmes and Watson is quite an enjoyable evening and keeps the audience engaged. There is enough mystery to please a true Sherlock Holmes or mystery fan, but you don’t have to know a lot about Sherlock Holmes to appreciate the puzzle. I actually enjoyed having the wool pulled over my eyes because it was done so cleverly.

 

Julinda D. Lewis is a dancer, teacher, and writer who was born in Brooklyn, NY and now lives in Eastern Henrico County.

———-

Photo Credits: Robyn O’Neill

H&W-164H&W-82

H&W-34
Richard Koch, Irene Kuykendall, and Joe Pabst
H&W-21
Daniel Moore, Axel Burtness, and Johnathan Hardison

 

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Author: jdldances

Julinda D. Lewis is a dancer, teacher, and writer, born and raised in Brooklyn, NY and transplanted to Richmond, VA. A retiree from both the New York City and Richmond City Public School systems, she is currently an Adjunct Instructor for the Department of Dance and Choreography at Virginia Commonwealth University, and holds the degrees of BS and MA in Dance and Dance Education (New York University), MSEd in Early Childhood Education (Brooklyn College, CUNY), and is currently working on her dissertation in Educational Leadership (Regent University). Julinda is the Richmond Site Leader for TEN/The Eagles Network and the East Region Coordinator for the International Dance Commission and has worked in dance ministry all over the US and abroad (Bahamas, Barbados, Haiti, Jamaica, Kenya, Puerto Rico). She is licensed in dance ministry by the Eagles International Training Institute (2012), and was ordained in dance ministry through Calvary Bible Institute and Seminary, Martinez, GA (2009).

5 thoughts on “HOLMES AND WATSON: It’s Not What You Think”

  1. Pingback: Holmes and Watson

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