CRIMES OF THE HEART: Tales of Southern Sisterhood
A Theater Review by Julinda D. Lewis
At: Hanover Tavern, 13181 Hanover Courthouse Road, Hanover, VA 23069
Performances: July 20 – August 26, 2018
Ticket Prices: $42
Info: (804) 282-2620 or va-rep.org
The final show of the 2017-2018 season, Beth Henley’s Pulitzer Prize-winning three-act southern tragicomedy, boasts outstanding performances by three highly individual women and a beautifully designed and detailed set created by Terrie Powers. It also has near flawless direction by Steve Perigard (who also directed Da and Brighton Beach for this same stage – “near flawless” because, with three acts, it does seem to get lulled into a light sleepy southern languor about halfway through.
There was a time when I would, if given a chance, watch daytime talk shows because the dysfunctional guests made me feel so much better about my own life. To some extent, the quirky Magrath sisters make me feel the same way about my own family. Irene Kuykendall deftly navigates the surprising complexities of Meg, the black sheep of the family, gradually revealing that she is not a complete narcissist, but has hopes and dashed dreams, and holds a deep and abiding love with her two sisters. She’s also the middle child.
Lexi Langs, who last appeared in a VaRep performance ins 2007, is fascinating as the youngest sister, Babe or Rebecca. Physically enchanting with her wide eyes and sometimes vacant stare, we first meet Babe when she returns to Old Grandad’s home after being released from jail where she spent the night after shooting her husband in the stomach. Langs gives Babe a childlike quality that is unnerving; we are never quite sure if Babe has a true mental illness or just an advanced case of “the vapors.”
But the true star of this ensemble is Maggie Roop who shoulders the burdens of the family upon the sloping shoulders of Lenny, the eldest of the three sisters. There’s usually one in every family – the one who takes care of everyone and everything, but no one ever thinks she needs taking care of. Roop spends much of the play trying to keep the peace; there are dark circles under her eyes, and she is obsessed with cleaning, which is, perhaps, the only thing over which she has any control. Roop brings unforced depth to the character of Lenny. For most of the three acts, I wanted to give Lenny a hug, so it was doubly rewarding when, in the third act, she took a broom to the butt of her obnoxious, social climbing first cousin, Chick (Maggie Bavolack). Whiny and annoying, Chick opens the first scene with a hilarious and unexpected reverse strip-tease, in which she elaborately squeezes into a pair of “petite” pantyhose.
Crimes of the Heart tackles real-life trauma: suicide; the illness of an aging grandparent; spousal abuse; dishonest politicians; social pressure; regret; vendetta; attempted murder; low self-esteem. Set in the small town of Hazlehurst, Mississippi (a real town about 30 miles south of the state capital of Jackson) five years after Hurricane Camille (which blew through in August of 1969), there are subtle references to the racial politics of the day, but more disturbingly, because of the racial politics of the times, a major issue of statutory rape is swept under the table, so to speak.
The overall outstanding ensemble is focused on the relationships between the women, but there are also credible performances by Arik Cullen as Meg’s former love interest, Doc Porter, and Tyler Stevens as the young lawyer, Barnette Lloyd.
There are thought-provoking lines, like, “She works out in the garden wearing the lime green gloves of a dead woman” physical humor, as when Babe prepares a glass of lemonade for Meg that makes Meg’s face – not just her lips, but her entire face – pucker, but adds so much sugar to her own glass that we can almost hear it crunch when she sips it. But despite – or maybe because of – our better judgment, Crimes of the Heart makes us laugh at such taboo topics as attempted murder and an old man falling into a coma. Babe may have shot her husband, but each sister has to face up to her own “crimes of the heart.”
Julinda D. Lewis is a dancer, teacher, and writer who was born in Brooklyn, NY and now lives in Eastern Henrico County.
Photo Credits: Aaron Sutton
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